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seandelauder

A Wholly Reluctant Blog

A blog by someone who prefers writing to writing about writing, but treats blogging like bad-tasting vitamins.

Currently reading

The Phantom Tollbooth
Jules Feiffer, Norton Juster
Ivanhoe
Walter Scott
Cloud Atlas
David Mitchell
Ishmael: An Adventure of the Mind and Spirit
Daniel Quinn
Bulfinch's Mythology
Thomas Bulfinch
Stars in Their Courses: The Gettysburg Campaign, June-July 1863
Shelby Foote
A History of Mathematics, Second Edition
Carl B. Boyer, Isaac Asimov
Persian Fire: The First World Empire and the Battle for the West - Tom Holland The title of this book would lead a reader (this reader, anyway) to believe the focus to be the Achaemenid Empire and it's leading men, Cyrus, Darius, and Xerxes, leading up to and through the clash between Persia and Greece. That assertion is an error of scope, as Holland looks not only at the rise of Persia, but that of all the major players (e.g., Persia, Sparta, Athens, etc.) in characteristic thrifty but efficient detail, which was much more than I expected--so much the better.

Persian Fire corroborated much of the information about the Achaemenid Empire Gore Vidal provided in Creation. This duplication, coupled with the abundance of sources (though largely 20th century), seems an indication that the information is well established, it's simply overlooked as part of a grade school education of the period. Notably, the most prominent Greeks as fractious, greedy, and overconfident; not that that isn't characteristic of most peoples, only that it contrasts with the cursory lay education most receive on the topic. The bulk of Greek history consists of Spartans Strong (like USA!); Athenians Philosophical (like founding fathers!); Doric, Ionian, and Corinthian columns; the Parthenon (made of columns!); Zeus; the like, et al.

The most enjoyable aspect of an education is when an important historical event one has accepted (suspected, perhaps, but never had the sense or resources to investigate), has in truth been falsely represented or unduly oversimplified, and is at last exposed as a fallacy.

My favorite example of a shattered illusion is the unprecedented beginning of the West's cherished Democracy and the halcyon Greek period that bore it. In Holland's work, Democracy is presented less as a philosophical belief that the common man should have some say in the form of their government rather than the aristocracy, or that positions of authority ought not be exclusive to inheritance, all of which arose as a consequence of Greek philosophers gathering to determine the most equitable method of rule. Instead, it came about as a means for one aristocratic family to wrest power away from another at the cost of the inability for anyone to maintain absolute power. It was a brilliant and elaborate stroke, but invariably one brought about by, as Holland implies, the spite of an out-of-favor aristocratic family.

Naturally, the citizens of Athens enthusiastically supported the proposal that they would be allowed to help decide the rules of their society, they rebelled in the streets when Cleisthenes, who gave the power to vote on laws to the people, was chased from the city by a "tyrant" (a form of monarch, though rarely of the disposition that lends to the modern definition of tyranny), who in turn found themselves faced with the power of the mob.

Similar anecdotes are strung through Holland's works, creating a tapestry of interwoven events from which he often extrapolates the thoughts, feelings, and ambitions of the characters in these histories. It is a style that may seem somewhat dishonest without supporting text, and is probably the point where he takes the greatest creative license, but at the same time makes the historical figures more than empty-eyed marble busts or rigid profiles on coins, is extremely engaging, and makes sense in the context provided.

I believe Holland is in the same league as Pulitzer Prize Winner David McCullough in terms of narrative skill, with an ability to draw a reader into a historical period through the details they choose to include and elaborate upon. The difference between the two, thus far, is McCullough (an American author) tends to focus on American (i.e., USA) history, while Holland (an English author) spends his time on ancient civilizations.

Holland began his his writing career as an author of supernatural fiction. He has since turned his English acumen toward bringing history to vibrant life, and he's clearly made the right move for his career, and, more importantly, my enlightenment.

I still have two more Holland historical works to read, but I'm enthused by the prospect that, according to his current pace of publication, we should be getting a new Holland work in the next year. I look forward to continuing the process of adulthood re-education.